A wealthy man, convinced that money could buy anything, destroyed a poor old man’s house to make way for a shopping mall. Later, while examining the debris, he discovered a childhood photo among the rubble.
Can greed make someone so blind that they harm others to fulfill their own desires? In July 2021, real estate developer Elliot Morris from Florida unintentionally shattered the dreams of an elderly man named Joe Brooke in his pursuit of wealth.
Elliot was searching for the perfect spot to build a fancy mall when he noticed Joe’s property. He was taken with the location and decided it would be the ideal place for his new project. Elliot chose to demolish Joe’s house to clear the land. When Joe protested, Elliot dismissed him as just an obstacle that could easily be removed.
Joe pleaded with Elliot, explaining that the house held precious memories of his late wife and that he had nowhere else to go. However, Elliot ignored Joe’s desperate requests. He informed Joe that he had already received approval from the mayor and planned to start the demolition in two weeks, leaving Joe with no choice but to leave.
Despite his fears, Joe refused to accept any money in exchange for his cherished home. As the deadline approached, he hoped for a miracle, but the day of demolition arrived too quickly.
When Elliot returned with his workers and heavy machinery, Joe once again begged him not to tear down his house. Elliot coldly reminded Joe that he had already given him a deadline and handed him a check, showing no concern for Joe’s situation.
Elliot ordered one of his workers to take Joe to a nursing home and insisted that Joe take the money, but Joe refused. With tears in his eyes, Joe told Elliot that he had let greed consume him, reminding him that money could not buy everything. Elliot dismissed Joe’s words and watched with satisfaction as his workers demolished the house. He felt a sense of triumph as he saw the building fall to the ground.
Later that day, Elliot returned to the site to celebrate his achievement. As he walked over the ruins, he stumbled upon the shattered glass of a photo frame. Picking it up, he recognized the image of his mother holding a baby.
Confused, Elliot realized this was a photo of him as a child, and he wondered how it had ended up in Joe’s home. Driven by curiosity, he immediately went to the nursing home to confront Joe. When Joe saw Elliot, he was upset, expecting more trouble. But Elliot showed him the photo he had found. He wanted to know how Joe had the picture of his mother.
Joe explained that he had found Elliot’s mother, Samantha, on the street 30 years ago, struggling in the rain with a baby in her arms. Joe had just come from his wife’s funeral and felt compelled to help her.
Joe shared that he had taken Samantha in, as she had been thrown out by her boyfriend. For five years, Samantha lived with Joe, who treated her like family. Eventually, Joe helped her get back on her feet, enabling her to start her own business and build a life for herself.
Elliot felt his heart break as Joe spoke, realizing that he had been unaware of the love and support Joe had given his mother. Overwhelmed with guilt, Elliot decided to make amends. The next day, he put up a sign on Joe’s old property and began constructing a new home for him.
Within a few months, a beautiful house replaced the one Elliot had destroyed. Elliot gifted this new home to Joe, sincerely apologizing for his past ignorance. Joe, however, refused any additional help, saying he would only accept the house and wanted nothing else but Elliot’s love. Joe moved into his new home, leading a simple life. He inspired Elliot, teaching him that compassion and love matter more than wealth.
In the end, Elliot decided to use his resources to help others by building retirement homes for those in need. He learned to respect people’s homes and dreams, vowing never to harm anyone for personal gain again. The story reminds us of two important lessons: never destroy someone else’s happiness to fulfill your own dreams and strive to create something beneficial for others when you have the chance.
Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It
The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
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