When reflecting on Jane Seymour, most individuals immediately associate her with a distinguished acting career spanning numerous years. Undoubtedly, she is a renowned actress, yet beneath the glitz and glamour, Seymour is a devoted mother, particularly to her children.
Among the challenges Seymour faced in her life, a prominent one was raising twin boys. Her offspring also include Catherine and Sean Flynn, but John Stacy and Christopher Stephen, her twin sons, were born from her union with James Keach.
Seymour’s journey to motherhood was far from straightforward. Following two miscarriages after undergoing in vitro fertilization, she and her husband contemplated adoption. However, at the age of 44, Seymour successfully became pregnant, giving birth to twin boys via C-section six weeks prematurely due to preeclampsia.
The family encountered numerous hurdles from the outset, given the inherent risks associated with premature births and the challenging pregnancy. Seymour candidly admitted to almost losing her life during childbirth, with her babies teetering on the brink of survival.
Despite the perilous circumstances, Seymour expressed no regrets, affirming her deep satisfaction in having her twin boys. The infants required specialized care due to their premature birth, and both grappled with health issues. Johnny, in particular, faced alarming incidents of turning blue twice upon returning home from the hospital.
Seymour, in her commitment to motherhood, often brought the boys with her during filming on location, striving to be fully present for them. As they matured, the twins overcame their initial health challenges and forged a robust bond with their mother.
While glimpses into the family’s life are relatively rare, Seymour recently shared a photograph featuring herself with her now-grown twin sons. Fans swiftly praised the young men for their striking handsomeness and impressive stature.
The behind-the-scenes complexities of individuals’ lives often go unnoticed, underscoring the universality of shared struggles. In recognizing Jane Seymour’s journey, we extend our admiration for successfully raising two remarkable young men.
Look Closer… Vintage Photos That Were Never Edited
Few things are as satisfying as a trip down memory lane — and it’s even better when you find something you didn’t notice before. Because as Ferris Bueller said — life moves pretty fast. Here are dozens of pictures of celebrities and remarkable people of yesteryear in all their beautiful, vintage glory. The glamour, the fashions, the hair — whether classically elegant, effortlessly cool, or interestingly tacky, we shall not see their like again. Here’s to the movie stars who were larger than life, here’s to the rock stars who lived on the edge, here’s to the comedians who still make us smile, here’s to the bit players who had those moments of glory that changed their lives forever. It’s all good, it’s all groovy, and the rest is history.
Perhaps it was her Scandinavian free-spiritedness — Swedish-born actress and singer Ann-Margret seemed on call to be as sexy as necessary. Need an actress to smother Jack Nicholson with her cleavage? Ann-Margret would do it (in Carnal Knowledge, 1972). Need an actress to writhe in satin sheets and foam, then get sprayed by baked beans? Ann-Margret’s your girl (in Tommy, 1975). Need an actress to ride a large motorcycle in a thigh-high sweater dress and calf-high boots? Ann-Margret’s raring to go (in The Prophet, 1968). Need an actress who can shake her fringe top and miniskirt like a professional go-go dancer? Ann-Margret has that exact skill (in Appointment in Beirut, 1969). Need an actress you could cover in fluorescent paint and drag around a canvas like a human paintbrush while burly men in tribal garb howl and beat their bongos? That was so Ann-Margret’s thing (in The Swinger, 1966). Need an actress to wear a bra at a photo shoot on a chilly day? Not her thing, man.–Advertisment–
“Jungle Pam” Hardy, one of drag racing’s main attractions in the ’70s.
Jim Liberman was a drag racer who went by the nickname of “Jungle Jim.” He won a lot of races in the 1970s. Fans loved him for his flamboyant personality and masterful driving. But this is not a picture of Jungle Jim — this is “Jungle Pam” Hardy, Jim’s sidekick, who commanded attention at the track with her tight, skimpy outfits. She had a job to do, as Jim’s “backup girl,” she helped guide him as he drove his Chevy Vega backward on the track after a burnout. Pam joined Jim’s team in 1973, and in 1977 Jim died on an off-track car accident. Though she only did the job for four years, Jungle Pam remains the most iconic backup girl in drag racing history.
Burt Reynolds and Farrah Fawcett during filming of the 1981 comedy “The Cannonball Run.”
The 1981 road-racing comedy The Cannonball Run was packed with star power: Dean Martin, Sammy Davis Jr., Adrienne Barbeau, Mel Tillis, Terry Bradshaw, Dom DeLuise, Jackie Chan and 007 himself, Roger Moore. But you could have left all of them on the side of the road and powered to box office success with this supernaturally attractive pair of human beings: Burt Reynolds and Farrah Fawcett. He was the greatest heartthrob of the late ’70s; she had the decade’s hottest poster, and was the hottest lady detective on Charlie’s Angels, a show that was completely about conspicuously hot lady detectives. The chemistry in the movie (and this photo) wasn’t fake — Fawcett and Reynolds were romantically involved for a time.
Marcia, Marcia, Marcia! You’re gonna lose! Lose! Lose! A miffed Maureen McCormick on The Brady Bunch, 1972.
Be honest — which of these three sparklers from 1983 would you have pegged to be the future governor of Minnesota? History tells us it was Jesse “the Body” Ventura (at right), and not Randy “Macho Man” Savage or the lovely Elizabeth “Miss Elizabeth” Hulette. Randy and Elizabeth would marry the following year, and she would later debut in the WWF as Macho Man’s mysterious, glamorous manager. Sadly, neither Macho Man nor Elizabeth are with us today. Ventura, who served one term as governor and has since remained a popular political figure, occasionally floats the idea of a bid for the U.S. presidency. That seems far-fetched, as American voters would never make a crass TV blowhard the leader of the free world.
Cindy Morgan as ‘Lacey Underall’ in a scene from the comedy film “Caddyshack,” 1980.
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