Oh, the pleasures of family dynamics; those complex networks of affection, animosity, and, it seems, rent. What if I told you a small story from the front lines of my own soap opera to start things off?
Imagine this: Dad recently passed away and went to the great beyond, leaving Mom sad and alone. So, of course, I propose that she move in with us, partly out of compassion and partly out of sheer guilt. You know, to socialize with the grandchildren and take in the warmth of family.
Now enter my spouse, who has obviously been attending the “How to Be a Loving Family Man” course. His initial response was a firm no, but after some deft haggling on my part, he reluctantly agreed—but only under one condition. The worst part, get ready: my distraught mother would have to pay the rent.
You did really read correctly. Pay rent. in a home that we currently own and are not renting. Start the crying or laughing. His logic? He replied, grinning in a way that I can only characterize as evil, “Your mother is a leech.” “After she moves in with us, she won’t go.”
His reasoning continued, a train on the loose about to crash down a precipice. She simply doesn’t make sense to utilize anything for free when she will consume our food and electricity. This residence is not a hotel, and she has to know that!
With my blood boiling, I knew something was wrong. The reason for this issue is that I wedded a man who seemed to believe he was the Ritz-Carlton’s management. How daring! Here we are, with equal rights to the house, having both contributed to its acquisition, and he’s enacting capitalist regulations as if we were operating a profit-making Airbnb.
The worst part is that my spouse isn’t a horrible person. Really, no. He and my mother have simply disagreed from the beginning. He told me the truth about how he really felt the night he turned into Mr. Rent Collector. “Ever since I met her, your mother has detested me. She wouldn’t feel at ease living with me right now.
I am therefore torn between my mother, who is in great need of her daughter’s support, and my husband, whom I really love despite his imperfections. I ask you, dear reader, the million-dollar question: What should I do? In true dramatic manner. Shall I rent my mother a room or my husband’s empathy?
The surprising reason Cynthia Rhodes stepped away from her flourishing career after dirty dancing
Cynthia Rhodes, known for her iconic roles in Staying Alive and Dirty Dancing, is a legendary figure in 1980s dance dramas. As she approaches her 68th birthday in November 2024, it’s worth reflecting on why this Hollywood triple threat chose to retire at the peak of her career.
Rhodes was born in Nashville, Tennessee, and began her career with a small part in the 1980 film Xanadu, which starred Olivia Newton-John and Gene Kelly. Her breakout came with her portrayal of Tina Tech in Flashdance, followed by a significant role in Staying Alive, where she played the love interest of John Travolta.
However, it was her unforgettable performance as Penny Johnson in Dirty Dancing that solidified her status in Hollywood. In this role, she captivated audiences with her Mambo dancing alongside Patrick Swayze, while also delivering poignant emotional scenes, including the character’s harrowing experience with an illegal abortion.
Rhodes described Penny as a complex character who had endured a tough life, yet retained a sense of sweetness. The film not only showcased her dancing skills but also tackled important social issues, positioning its leads, including Rhodes, for stardom.
Despite her success, Rhodes decided to step back from the industry, citing the physical demands of dance. “Dancing became really hard”, she said, expressing her desire for roles that didn’t involve strenuous movement. “I keep saying I’ll never dance again… my bones hurt, my back hurts all the time”, she explained.
In 1987, the same year Dirty Dancing premiered, Rhodes appeared in Richard Marx’s music video for “Don’t Mean Nothing”. She married Marx in 1989 and welcomed three children: Brandon in 1990, Lucas in 1992, and Jesse in 1994. Marx noted that Rhodes found more fulfillment in motherhood than in her previous career, which she left in 1990 partly due to the intense physical pain from dancing.
Rhodes, who started dancing at the age of three, emphasized her love for it but acknowledged the toll it took on her body. “If I never danced again, I wouldn’t regret it”, she said, highlighting her contentment in focusing on her family.
Her last film appearance was in 1991’s Curse of the Crystal Eye. After divorcing Marx in 2014, she stepped further into her role as a mother, watching her children pursue careers in the arts: Brandon as a music producer, Lucas as a singer and actor, and Jesse as a musician in a metal band. While fans miss seeing Cynthia Rhodes on screen, her decision to leave Hollywood resonates, underscoring the high demands of a career in dance and the joy she found in motherhood.
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