Kathleen Turner rose to fame in the 1980s as a result of her strength and beauty; many consider her to be one of Hollywood’s most beautiful actors.
Over the years, the actress has faced numerous challenging and favorable situations, and her perseverance has carried her through them both.Kathleen Turner was raised in a home with four other children, despite her difficult past.
She and her siblings were raised in both Venezuela and London. When she was a little girl, she tragically witnessed her father’s sudden death when he was mowing the lawn of their Hampstead house.
A month following his passing, the foreign service ejected Kathleen and her family from the United Kingdom. In Springfield, Missouri, where everyone was still grieving for their father and their previous home, Turner relocated her family.
Finally, Tuner felt at peace after moving to New York to pursue an adult acting career. Her major break came when she was hired as the femme fatale in the 1981 film “Body Heat,” despite her success on stage.
Turner was offered the opportunity to co-star with Michael Douglas in the well-known “Romancing the Stone” three years after sharing the screen with William Hurt. During filming, Douglas was going through a difficult divorce from his wife Diandra, and he started to feel a connection with Turner.
We were intensely flirting and exchanging intense, yearning glances as we were falling in love. Kathleen remarked, “Then Diandra came down and reminded me he was still married.”
In the end, she wed Jay Weiss, the movie’s real estate developer, in 1984. Soon after, the couple welcomed their only daughter together. October 14, 1987, was Rachel Ann Weiss’s birthday.
Regretfully, when the couple started parenting their daughter, their relationship started to fall apart.
“I would demand extended weekends or additional passes from the film studios so that my spouse and daughter could visit me. However, I felt bad since there was a feeling in the marriage that all the work was on his end. It terminated for a few reasons, including that. I began to experience extreme oppression. Kathleen said, “I thought, ‘Hang on a minute, you’ve done very well out of being married to me also.’”
When Turner played Martha in the 2005 Broadway production of “Who’s Afraid of Virginia Woolf?” their marital problems came to a head. Turner became incredibly busy performing in eight shows a week, and it seemed Weiss didn’t want to spend any time with her at home.
During that time, Turner was nominated for a Tony Award for her portrayal of Martha, and the two got along well.
The actress was nominated for an Oscar in 1987 for her role in “Peggy Sue Got Married.” She went on to produce several films in the 1980s, including three blockbusters starring Michael Douglas.
But in the 1990s, Kathleen experienced a medical setback when her neck locked, making it impossible for her to turn her head. Additionally, the swelling in her hands prevented her from using them.
Kathleen stated, “It was crippling.” When something is gone, even for a little while, you stop taking it for granted. What I took for granted was my athleticism, my capacity for forceful movement, and my freedom to move however I pleased. I had a genuine identity crisis when I lost that: “Who am I if I can’t do this?”
She was diagnosed with rheumatoid arthritis, which is characterized by swelling of the lining of our joints, and this was the tragic reason for her circumstances. Managing chronic pain caused by this illness can be difficult.
Kathleen remarked, “When it was first diagnosed, I was terrified because they said I’d be in a wheelchair.” “I reasoned that I couldn’t act if I couldn’t move. Not everything I want to do is act. I was destined for this. It’s present throughout my entire life. The most terrifying aspect was the thought of not being able to accomplish it, together with the ongoing discomfort.
Kathleen took drugs and alcohol to ease her pain. Her habit of drinking vodka led her to faint during dress rehearsals for plays such as the 2002 stage version of “The Graduate,” even if they made her job simpler.
The actress really checked herself into rehab after the show concluded, and it was found that she was not an alcoholic. Instead, she was told to just remember to take more notes on when she took her medications and any unfavorable side effects.
The actress now does pilates and yoga to help her stay flexible and manage her discomfort.
The famous person began to focus more intently on her career in theater while also improving her pain management. As she grew older, she largely returned to her roots, even taking the lead in a stage production of “Cat on a Hot Tin Roof” in her forties, even though she still worked sometimes in film and television.
“It was a little foresight on my part of which I am justly proud, because I knew that the better roles as I got older would be in theatre, which is absolutely true,” Kathleen remarked.
By focusing on the theater, the actress has had more time to pursue her passions, which include working for Planned Parenthood of America and volunteering for Amnesty International.
For most of her life, Turner has been an ardent feminist who has devoted her life to helping other women. Gloria Feldt’s 2008 biography of the actress, Send Yourself Roses, captures her thoughts perfectly.
As women, we are the first generation to achieve financial independence. Women are returning to the workforce, stated Kathleen. They’re redefining who they are. I believed I could contribute to that, even more. It therefore contains a great deal of philosophy as well as my personal beliefs.
What are your thoughts on Kathleen Turner’s difficult yet fruitful journey? Tell us in the comments below!
My 7-Year-Old Drew a Picture of My Husband with Another Woman and Wrote, ‘I Can’t Wait for You to Be My Mom’
When Amber, a hardworking mom and corporate attorney, discovers a drawing by her 7-year-old daughter, Mia, her world is shaken. The picture shows Mia’s teacher in Amber’s place with a heartbreaking caption. Suspecting betrayal, Amber confronts her husband, Jack, only to uncover something deeper… Mia’s feelings of abandonment amidst Amber’s busy life.
I didn’t think I’d be here… but this has been life lately.
A woman looking out the window | Source: Midjourney
I’m Livia, I’m thirty-four, married to my husband Jack for ten years, and I’m a mom to my bundle of joy, Mia, a seven-year-old little girl. Recently, I’ve been busier than I’ve ever been in my entire life, which is truly saying something because I’m a corporate attorney.
My mom’s health has been declining over the past year, and we’ve been throwing ourselves into her hospital stays, therapy sessions, and medication that costs way more than I care to admit.
To cover everything, I’ve been working insane hours because I’d do anything for my mother.
A woman sitting in a hospital bed | Source: Midjourney
Anything.
Jack has been the best partner and rock I could have ever asked for. He has stepped up at home in ways I never imagined or expected. Jack has taken on the cooking, cleaning, helping Mia with her schoolwork, and managing all the little things I used to handle.
He made it possible for me to keep everything afloat, even when it felt like I was drowning.
A father and daughter duo sitting on a couch | Source: Midjourney
But last night, everything changed before I could even catch my breath.
I came home late, exhausted, starving, and ready to collapse. After hurriedly eating a bowl of salmon and rice while Mia took her bath, I put my little girl to bed. As she dozed off, Mia mumbled something about puppets.
“I didn’t know that you could put your hand in a socket and it would be a puppet,” she said.
A green sock puppet | Source: Midjourney
“A sock, my darling,” I said. “Not a socket! Don’t you ever put your hand in a socket, Mia.”
She giggled.
“Okay, Momma,” she said, yawning.
A yawning little girl | Source: Midjourney
I started tidying up her dolls, which were scattered all over the carpet in her room, and then made my way to the coffee table in the living room. Crayons, white paper, and coloring books were scattered all over.
That’s when I found it. A drawing.
At first glance, it seemed innocent enough. A kid’s sketch of a happy family. A man, a woman, and a little girl holding hands. But when I looked closer, my stomach twisted.
A woman gathering crayons | Source: Midjourney
The man was unmistakably Jack. The little girl was clearly Mia. But the woman? Definitely not me.
She had long brown hair and wore a flowing bridal gown. Beneath the drawing, in Mia’s little handwriting, were the words that broke my heart:
I can’t wait for you to be my mom!
It felt like the ground beneath me had given way.
A child’s drawing | Source: Midjourney
I took the picture to Mia’s bed and sat on the edge, trying to wake her up enough to get answers.
“Darling girl, can you tell me about this drawing?” I asked her calmly.
“What drawing, Momma?” she asked, rubbing the sleep from her eyes.
When Mia took a look at the drawing, her face turned red, and she snatched the paper out of my hand, clutching it to her chest.
An upset little girl | Source: Midjourney
“You weren’t supposed to find that! Daddy said to hide it better!” she blurted out.
Hide it better? Jack? Hide what better?
My heart started pounding. What was going on? Was Jack cheating? And what was worse… was Mia already imagining this other woman as her mom?
An upset woman sitting on a couch | Source: Midjourney
I barely slept that night. My mind was running miles per hour. I thought about my mother, I thought about the work I still needed to do before heading to the office the next day, and I thought about my marriage…
By the morning, I had gone through a storm of worst-case scenarios. I sat in the kitchen, waiting for Jack to get ready for work. Mia had already left for school.
“What is this?” I demanded, thrusting the drawing into his hands.
An upset woman standing in a kitchen | Source: Midjourney
His eyes widened, and his face turned pale.
“You told her to hide it?” I asked. “You actually told Mia to hide it?”
“Wait, wait,” he stammered, holding up his hands defensively. “It’s not what you think, Amber. Let me explain it all to you.”
A worried man standing in a kitchen | Source: Midjourney
“You have exactly five seconds, Jack. I’ve been going crazy the entire night.”
My husband ran a hand through his hair, clearly distressed.
“Come with me,” he said.
“What? Where are we going? What about work?” I asked.
A man standing in a kitchen with his head bowed down | Source: Midjourney
“We’re going to Mia’s school. I need to show you something,” he said.
I wanted to scream at him, but something in his voice, an urgency that didn’t feel like guilt, made me agree.
The drive to the school was tense and silent, my mind still racing. What would Jack show me at Mia’s school that would change anything? Was there an imaginary friend or imaginary step-in mother waiting for us?
An upset woman sitting in a car | Source: Midjourney
When we arrived at the school, Jack squeezed my knee. As we walked to the reception area, he squeezed my hand and asked to see Mia’s teacher, Clara.
As soon as Clara walked in, I felt like I’d been punched in the gut. She was stunning, and for the life of me, I couldn’t remember why I hadn’t met her before. She had long brown hair, a bright smile, and an effortlessly bubbly demeanor.
She had to be the woman from Mia’s drawing, it was unmistakable.
A smiling woman | Source: Midjourney
She smiled at Jack, and I wanted to scream.
“Clara,” Jack said. “Can you explain to my wife what’s been happening with Mia?”
Clara’s expression shifted to confusion but then softened as she glanced at me.
“Oh, of course,” she said.
A stressed woman | Source: Midjourney
She gestured for us to sit in the little room adjacent to the reception.
“Look, Mia’s been having a tough time lately,” she began. “She’s mentioned feeling like her mom doesn’t have time for her anymore. I’ve tried to reassure her, but she’s… well, look, she’s seven. And she’s been drawing a lot of pictures to process her feelings.”
Clara handed me a stack of drawings, and my heart sank as I flipped through them.
A stack of children’s drawings and coloring books | Source: Midjourney
Most were variations of the same theme. A happy family with Clara in my place. On the back of one of the drawings, there were more words I hadn’t noticed the first time:
Daddy and Clara.
“So, you’ve been spending time with my daughter?” I asked, unable to hide the edge in my voice.
An upset woman | Source: Midjourney
“Yes, of course,” she said. “But only in class, and I’m her teacher, after all. She stays after class sometimes to help me tidy up. She told me she feels like she’s losing her mom because you’re always busy. I’m so sorry if I overstepped. I’d never want to interfere…”
I turned to Jack, my chest tight.
“And you? What did you say to her about this?”
A stressed man | Source: Midjourney
Jack looked miserable.
“I found that picture last week,” he admitted. “I told Mia it wasn’t true, that you love her more than anything. But I didn’t know how to handle it. I didn’t want to make it worse by bringing it up when you were already so stressed out. I told her to put the drawing away because I knew it would hurt you.”
“You should have told me, Jack,” I said softly.
A woman holding her head | Source: Midjourney
I honestly didn’t know what to think.
Jack nodded, guilt in his eyes.
“I know, love,” he said. “I thought I was protecting you, but I see now that I just made it worse.”
An upset man | Source: Midjourney
My anger began to deflate, replaced by a wave of guilt so heavy it nearly knocked me off my seat. This wasn’t about Jack cheating or Clara overstepping. It was about my daughter, her sadness, her confusion, and her way of coping with my absence.
That night, I sat down with Mia at the kitchen table. I had dished us bowls of ice cream with all the toppings, hoping for a bonding moment between us.
Bowls of ice cream | Source: Midjourney
“Sweetheart,” I said softly. “I need to tell you something. I know I haven’t been around as much lately, and I’m so, so sorry. Grandma needs a lot of help right now, but that doesn’t mean I don’t want to be with you. You’re my everything, sweet girl.”
Mia’s eyes filled with tears, and she threw her arms around me.
“I thought maybe you didn’t like me anymore,” she whispered.
A little girl sitting at a table | Source: Midjourney
My heart shattered.
“I love you more than anything,” I said, holding her tightly. “Nothing will ever change that.”
In the weeks that followed, I made several lifestyle changes.
I cut back on work hours and asked my siblings to take on more of our mom’s care. Jack and I started a “Mom and Mia” night every week, just the two of us, doing whatever she wanted.
A little girl decorating cookies | Source: Midjourney
Sometimes it was baking cookies, other times it was a movie night, or building a fort, or sometimes it was just us dressing up and going on a date together.
I also had a heartfelt talk with Clara to thank her for being a wonderful teacher and being there for Mia when I couldn’t be.
She apologized again for any boundaries she might have crossed, but I reassured her that Mia’s drawings weren’t her fault.
A blanket fort in a living room | Source: Midjourney
“I just feel bad, Amber,” she said as she cleaned up paintbrushes.
“I know, but you really shouldn’t, Clara,” I said. “You became a safe space for Mia, and you reminded her of how loved and cared for she is. That’s something I’ll always appreciate.”
Life isn’t perfect, but it’s a lot better. I’m learning to ask for help and to show Mia that she comes first. And now, every time she picks up her crayons, I make sure I’m sitting right next to her.
A smiling mother and daughter duo | Source: Midjourney
If you enjoyed this story, here’s another one for you: Sam used to be a mama’s boy, always clinging to Candice and lighting up at the sight of her. But one day, that changed. He started avoiding her hugs, her kisses, and even her presence. At first, I thought it was just a phase. But there was more to it. Much more.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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