The “Hustlers” star’s entire outfit was created by styling team Rob Zangardi and Mariel Haenn, who are famous for dressing Hollywood celebrities like Heidi Klum.
Jennifer Lopez arrived on the red carpet for the premiere of “Unstoppable,” looking stunning in a more casual outfit. However, fans were not thrilled with her styling and shared their opinions.
At the 2024 AFI Fest in Los Angeles, Lopez wore items from No. 21’s Resort 2025 collection. Her outfit included a big cream canvas jacket, a low-cut blouse, and a pink micromini skirt with a bubble hem.
Source: Getty Images
She finished her look with a brown leather belt, a small handbag, and nude platform heels from Gucci. The movie star was at the premiere of her new film, “Unstoppable,” which tells the true story of wrestler Anthony Robles.
Hairstylist Chris Appleton styled Jennifer Lopez’s highlighted brown hair with a center part, and makeup artist Scott Barnes did her makeup, giving her a smoky eye and soft pink-nude lip.
Fans had mixed feelings about Lopez’s outfit and shared their thoughts online. Some quickly criticized her heels, saying, “She should get better fitting shoes,” while another added, “With all her money, she couldn’t buy shoes that actually fit?”
Others were not impressed with her entire look, calling it “a ridiculous outfit.” Some questioned if it matched the season, stating, “This is definitely not fall fashion, and it’s not flattering. It’s giving CHICKEN LEGS, and that’s not the JLO we know.”
More fans joined in, saying they didn’t like the work done by stylists Rob Zangardi and Mariel Haenn. One fan said, “The shoes look like they don’t fit right. Sorry, I’m not liking the look.” Another agreed, “The shoes are big on her.” One user humorously remarked, “She doesn’t have the best legs, and those huge shoes make her look like a pilón.”
Others pointed out, “I’m not feeling this look. The shoes and the jacket are a no for me.” Another commented, “Sorry, but I’m not feeling her look. And what’s up with that sad face? Isn’t she promoting her own movie? Smile a little!” One user joked, “Old lady knees.”
Despite the mixed reviews, one fan praised her appearance, saying, “She looks good for 50, even if the outfit looks regular.” Another added, “She looks amazing! But the styling is way off.”
Some fans had only positive things to say about the actress’s beauty and fashion. One fan raved, “She’s the most gorgeous woman to ever exist, like you’re freaking stunning,” while another said, “Love the long hair!”
Fans celebrated her look, with one highlighting, “Those legs!!! She looks gorgeous!!” and another calling her a “Fashion Queen.”
Lopez’s fashion choices often spark public discussion. In May 2024, at the premiere of her movie “Atlas” in Mexico City, she wore a flowing chiffon gown from Chloé’s fall 2024 collection.
The gown had a plunging neckline and thigh-high slit, and she finished the look with nude heels by Elie Saab and diamond earrings by Anabela Chan.
In early October 2024, Lopez faced backlash for posing in a revealing leopard-print outfit for a magazine shoot. Some felt her bold outfit was inappropriate for a mother of two.
In one photo from the magazine, Lopez wore a bikini bottom with a cropped leopard-print jacket. She completed the look with oversized gold earrings, a chunky necklace, and black platform shoes.
Although the photos were seen as stylish by some, they drew mixed reactions from others.
One user commented, “Sorry she has kids. Put some clothes on, no one cares.” Another said, “Can she disappear for a long time? She’s definitely not someone to look up to, even for her own children.”
Critics said her outfit wasn’t classy, while others wished she would take a break to focus on her kids.
Despite the criticism, Lopez’s fans showed support, praising her confidence and fashion sense. “The styling is so good,” one fan said, while another posted, “Geez, this woman is amazing.”
Lopez’s recent reflections with comedian Niki Glaser revealed her thoughts on personal growth and life’s unpredictability.
She discussed one of her toughest times—her divorce from actor Ben Affleck over the summer. When asked if she had regrets, she said, “Not one second. But it almost took me out for good.”
Looking back, Lopez explained, “But now, I think, ‘that is exactly what I needed. Thank you, God. I’m sorry it took so long.’”
She also acknowledged that while she learned important lessons, she doesn’t have everything figured out. Now, she’s excited about being independent and said, “Yes, I’m not looking for anybody. What can I do when it’s just me?”
Despite emotional hardships, Lopez is eager to return to her career and connect with her fans. She expressed excitement about getting back on tour, showing her passion for performing.
“I can’t wait to get back out there. I have the most understanding and loving fans. Some fan bases can be spicy. Mine are just a bunch of lovers,” the singer said.
Lopez admitted it was tough to step away from the spotlight, feeling bad about disappointing people. However, she explained that she needed time for herself and her children during a difficult period.
While the challenges were hard, Lopez appreciated the chance to work on herself and thanked her supporters for understanding, promising to return to the stage soon.
Actor Ali MacGraw sacrificed her own career for Steve McQueen
Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Today, the 84-year-old actress has settled down in a remote and tiny town, and she’s aging gracefully with her grey hair.
Ali MacGraw
Ali MacGraw – born Elizabeth Alice MacGraw – was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Ali’s father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
“Daddy was frightened and really, really angry. He never forgave his real parents for giving him up,” Ali explained, saying said her father’s adult life was spent “suppressing the rage that covered all his hurt.”
Ali MacGraw – childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
“There were no doors; we shared the kitchen and bathroom with them,” Ali said. “It was utter lack of privacy. It was horrible.”
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Ali’s brother Richard became a victim for his anger at home.
“On good days he was great, but on bad days he was horrendous,” she recalled. “Daddy would beat my brother up, badly. I was witness to it, and it was terrible.”
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts.
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harper’s Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a “flunkie”. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
“It was ‘Girl! Get me a pencil!’,” MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. She’d end up staying in that position for six years.
“I don’t know where she got this work ethic, but Ali would come in at eight a.m., and many times I’d come back at one in the morning and she would still be doing things for the next day,” Ruth Ansel, a former art director of Vanity Fair and Harper’s Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didn’t take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.
She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that she’d rather be an actress than a model.
Ali MacGraw – films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer – Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. She’d read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the film’s producer Robert Evans – who at the time was Paramount Picture’s head of production – at the Beverly Hills Hotel’s Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw – playing the role of Jenny – acted alongside Ryan O’Neal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.
Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture – Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
“I looked in those blue eyes, and my knees started knocking,” MacGraw recalled. “I became obsessed.”
MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
“Steve was this very original, principled guy who didn’t seem to be part of the system, and I loved that,” she said.
Ali MacGraw – Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.
(Photo by Silver Screen Collection/Getty Images)
He didn’t like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husband’s demands were something Ali simply couldn’t accept in the long run.
Not only that, but he’d explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if they’d divorce. She abided by the agreement when they did divorce in 1978.
“I couldn’t even go to art class because Steve expected his ‘old lady’ to be there every night with dinner on the table,” she recalled.
“Steve’s idea of hot was not me. He liked blond bimbos, and they were always around.”
This was the start of a pretty dark time in MacGraw’s life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
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