The meanings that various people attach to their tattoos and other body art can vary greatly. Certain places celebrate things that other places wouldn’t tolerate.
For instance, a sigil or symbol that has significant meaning in one location may appear to be a collection of haphazard squiggles in another.
It’s probably reasonable to assume that for as long as humans have existed, people have used their appearance to express themselves and transmit messages.
You most likely don’t live on an isolated island because tattoos are a common sight for most individuals. While certain designs, like those that tell stories or adhere to traditions, may be ridiculous and ones they wish they hadn’t purchased when they were younger, others may have profound, significant meanings.
I find it really interesting when I see the same tattoo on multiple people, even though you might not agree. To put it another way, I’m instantly curious about the meaning behind the tattoo and the reason the owner wants to live a lifetime with it on their body.
Over the years, I’ve heard numerous stories about the “red string of fate” from people, but I’ve never taken the time to investigate them.
The little red tattoo may be recognizable to a few of our readers, but most people who have seen it previously are probably unaware of its meaning.
I had noticed the same thing on a couple other people. Still, more than enough to detect a pattern. Though I wasn’t sure what this symbol meant, I knew it meant something.
I looked up more information regarding the aforementioned red string tattoo online. It is referred to as the “red string of fate” in Asian nations.The tattoo resembles a straightforward bow with tails, like to a knotted shoelace. It typically appears on the thumb of men and the pinky finger of women.
There’s more to this little tattoo than meets the eye. It is related to hope and love. The story is allegedly adapted on a Chinese folktale about a matchmaker who has the ability to predict the destiny of every individual.
The notion that someone is supposed to be your partner is, of course, not exclusive to romantic partnerships. In a similar vein, virtually every culture holds the belief that you are connected to someone via an invisible relationship.
The crimson thread of fate in this instance indicates that two individuals are destined to be together regardless of their current circumstances or location. For some, that is a comforting and consoling concept. However, other people probably want to have total control over their own life.
Which camp are you in? Has anyone ever seen a person who has a tattoo of the red string of fate?
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Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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