If you are a baggage handler, here’s why you never should tie anything to your suitcase

Have you ever tried attaching a vibrant ribbon to the handle of your suitcase to make it stand out? So fasten your seatbelts because we have some news that may lead you to reconsider your decorating plan!

Everyone wants their luggage to be noticeable, especially when they are attempting to find it in a sea of similar cases at a busy airport. Many of us decorate our suitcases with name tags, ribbons, and humorous stickers in an attempt to deter someone else from inadvertently taking our priceless possessions.

However, John, an airport baggage handler in Dublin, claims that these well-intended decorations may end up causing more problems than they solve.

Let’s start by admitting that our bags need personal touches. Nothing is worse than finding out that your suitcase is still at the airport, hiding among the other bags, when you finally get to your ideal destination. Some people even go so far as to attach a GoPro to their luggage in order to monitor its travels!

But take John’s advise into consideration before you start bedazzling your suitcase. Although attaching ribbons to your suitcase handles could make it easier to find your belongings, there is a chance that this could go wrong. What John said was as follows:

When a person ties a ribbon to identify their luggage, it may interfere with the bag’s scanning process in the baggage claim area. Your suitcase might not make it to the flight if it can’t be scanned automatically and has to be processed manually, the man said.

Consider this: the scanner may not have been able to correctly read your bag, which is beautifully ornamented with a ribbon, causing it to miss the flight entirely. Quite not worth the chance, is it?

John advises taking out any outdated stickers from your suitcase as well. These may cause confusion during the scanning procedure, which could cause delays or luggage misplacement. Although we understand how sentimental those travel stickers are, it might be time to part with them in order to make the trip run more smoothly.

John also gave me this helpful tip: turn the wheels of your suitcase faceup. By following this easy tip, you may shield the wheels from harm and make sure your suitcase doesn’t sway into problems.

The real deal, though, especially for people who enjoy baking or have a sweet appetite, is that you should never have marzipan in your luggage. Why? According to John, Marzipan—a confection composed of sugar, egg, and ground almonds—has a density similar to some explosives. You did really read correctly. This can result in a thorough check of you and your luggage, which could cause you to miss your flight entirely.

Imagine having your luggage examined and swabbed simply for the presence of a small amount of almond paste. Holidays missed because to Marzipan are simply not worth it!

The lesson here is that, even while it could seem sensible to tie a ribbon or add a personal touch to your suitcase, it’s usually best to forego doing so. The same is true when it comes to packaging rich foods like marzipan. If you follow these suggestions, your journey should go more smoothly and without incident.

Let those ribbons stay at home and have a happy journey!

‘Little Miss Dynamite’ blew up the charts when she was only 12: The story of Brenda Lee

Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”

When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.

Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.

Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.

When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.

Photo of Brenda LEE (Photo by GAB Archive/Redferns)

Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”

The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”

But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”

In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.

Public Domain

She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.

In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”

When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”

In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.

“I knew it was magical,” she told Rolling Stone.

Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”

Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.

Brenda Lee, kissed by Fabian Forte, 1961 / Public Domain

She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.

And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.

Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.

“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”

Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”

Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”

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