As Hollywood studios continue to see movie after movie fIop with audiences who want to be entertained by a compelling storyline rather than preached to by woke directors or shown CGI slop with no reaI plot, the Golden Globes this year were yet another humiliating disaster for the entertainment industry.
In fact, even sympathetic media outIets torched the Golden Globes, saying that they were mostly a disaster this year.
This year’s flop of a Golden Globes event was particularly bad for the industry given that, having been taken over from NBC by CBS, it was meant to be something of a reboot for the awards party and bring back a show generally known over the past few years for its declining ratings, if anything.
But rather than a revivaI, it was another flop for Hollywood, with even generally sympathetic media outlet Vanity Fair running a review of the event titled, The 2024 Golden Globes Were a Near-Total Disaster. Continuing, that review went on to describe host Jo Koy’s lengthy opening monologue as a horrid, sophomoric mishmash of lazy jokes” that didn’t elicit much laughter, a problem exacerbated by Koy being mostly unknown.
Similarly, the Iess sympathetic New York Post tore into the event as being a new low for an already troubled show, with a review article titled, Golden Globes 2024 were a new low for dying awards shows. Pulling no punches, the NYP article argued that it would have been better to cancel the event than run one so awful, saying:
Preparing for the 2024 Golden Globes, the awards show made a bunch of reforms to its ethically wobbIy voting body, got a new owner and moved to a different network. But none of those PR efforts matter much when the broadcast turns out as godawful as Sunday night’s did.
If only we’d 100% canceled the Globes when we had the chance.
Conservatives on X were simiIarly harsh. Washington Examiner personality Tim Young, for example, tore into the Golden Globes with a vengeance and said, “The Golden Globes had trash ratings… Perhaps people don’t want to tune in to woke, unfunny jokes about how white people are evil. Maybe their host should lecture at Harvard… I’m sure he’d be a hit there.”
Other posters noted that Jo Koy was a terrible host, saying things Iike “#GoldenGlobes Jo Koy is a terrible comedian, watching him tell jokes is so excruciating” and “i turned on the golden globes and had to turn it off bc the host is terrible.”
My Brother Kicked Our Grandma out Because She Had No Money Left – She Taught Him a Lesson He Will Never Forget
This story paints such a beautiful picture of resilience and the importance of standing up for family, regardless of the challenges. Eleanor’s journey from feeling unwanted to becoming an accomplished artist and finding her voice again is incredibly inspiring. Her refusal to let Paul’s materialistic view of her worth define her, along with Rachel’s unwavering support, highlights how powerful it is to nurture each other’s dreams and passions, even when others don’t see the value.
Paul’s remorse comes too late, showing that treating family as an obligation or expecting them to “prove their worth” can lead to irreversible consequences. It’s a lesson on how our actions, motivated by compassion or greed, shape not only our relationships but also our own growth. Eleanor’s final rejection of Paul’s belated apology is a powerful message about self-respect and knowing your worth, independent of anyone else’s validation.
Ultimately, Eleanor found her true “family” in those who saw and appreciated her for who she was, not what she could bring to the table. Her story is a tribute to the idea that family isn’t just about blood but about love, support, and respect—the very things that enrich our lives beyond material wealth.
The added note about another story with a similar theme promises another thought-provoking read, exploring family dynamics and boundaries.
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