The story of Earl Holliman’s journey to Hollywood is one of aspiration and perseverance. In 1943, Holliman was 14 years old and adamant about wanting to be a movie star.
Raised in Oil City and Mooringsport, rather than Shreveport as is frequently stated, he traveled via a number of locations before arriving in Hollywood.
He first went to see relatives in Camden, Arkansas, and from there he bused himself to Texarkana. He took a rideshare to Hollywood from there.
Holliman had worked the night shift at a diner close to Barksdale Air Force Base and as a theater usher, so he had saved some money. A serviceman he met at the cafe even gave him a lead on a place to stay, which turned out to be in El Monte, California, a good distance from Hollywood. Looking back on his trip, Holliman acknowledges that it was a dangerous decision that wouldn’t be prudent in the modern day.
DAILY LIFE IN HOLLYWOOD
After his initial try in Hollywood failed, Holliman made a quick trip back home before deciding to serve in the Navy. But his desire to be a movie star never went away. Later on, he went back to Los Angeles to continue his education at the University of California, Los Angeles and the Pasadena Playhouse.
Holliman’s perseverance was rewarded. With parts in “Giant” (1956), “Forbidden Planet,” “The Rainmaker,” and “The Sons of Katie Elder,” he amassed an amazing reel of cinematic credits. Additionally, he gained recognition for his television appearances, most notably in “Police Woman” with Angie Dickinson and in “The Thorn Birds” with Richard Chamberlain and Rachel Ward.
Holliman remembers his Hollywood days fondly, especially his first morning there. Wearing dark glasses and a silk shirt with short sleeves, he strutted in front of Grauman’s Chinese Theatre, wondering if anyone thought he was a celebrity. The naive hopes of youth were present in that moment.
Check out the image below to see Earl Holliman’s current age of 95:
If you encounter someone with this tattoo on their hand, you should know what it symbolizes.
For different people, tattoos and other body markings can represent a wide range of meanings. Something that is revered in one part of the world could be viewed as inappropriate in another; a symbol or piece of art that has significant value in one place might seem like random squiggles in another. It’s safe to say, in my opinion, that for as long as we have been as a species, people have used their appearances to communicate ideas and express themselves.
Unless you’re a resident of a remote island, you’re probably accustomed to seeing tattooed individuals. Certain designs can be little regrets from childhood, but others might have deeper significance—telling tales or following customs or traditions, for example.I don’t know about you, but I always find it fascinating when I see the same tattoo on multiple people.
That is to say, I’m instantly captivated by the meaning of the tattoo and the reasons the owner felt it was so important to have it on display for the rest of their lives. One that I have witnessed many times over the years but have never taken the time to look into is the so-called “red string of fate.”
The small red tattoo will certainly be recognizable to some of our readers, but it is unlikely that many of those who have seen it before will get its symbolic meaning. I did say that I had seen a couple folks with the tattoo. Certainly enough to identify a trend. I had no idea what this mark meant, but it had to imply something.
I used the internet to conduct some research and found that the red thread tattoo in issue is known as the “red string of fate” in Asian traditions. Usually seen on men’s thumbs and women’s pinky fingers, the tattoo has a basic bow-like design with tails that mimics a tied shoelace.This small tattoo has a meaning that is centered on optimism and desire.
The tale is purportedly based on a folktale from China about a matchmaker who foretells the partners that each of us is destined to meet.Naturally, the notion that one is fated to meet someone else is not exclusive to romantic endeavors, nor is the idea of sharing an invisible relationship with another person confined to any one culture; rather, it is present in practically all of them.
No matter where they are, when they are, or what happens, two people are meant to be lovers, according to the red string of fate. That is a comforting and pleasurable concept for some people. Still others, meanwhile, surely would prefer to be masters of their own fate.
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