Anne Heche has died of a brain injury and severe burns after speeding and crashing her car into a home in the residential Mar Vista neighborhood last Friday, Aug 5. The building erupted in flames and Heche was dragged out of the vehicle and rushed to the Grossman Burn Center at West Hills Hospital in Los Angeles.
The 53-year-old, Emmy Award-winning actress is best known for her roles in 1990s films like Volcano, the Gus Van Sant remake of Psycho, Donnie Brasco and Six Days, Seven Nights.
Holly Baird, a spokesperson for Heche’s family, sent NPR a statement Friday afternoon saying: “While Anne is legally dead according to California law, her heart is still beating, and she has not been taken off life support.”
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Baird added an organ procurement company is working to see if the actress is a match for organ donation, and that determination could be made as early as Saturday or as late as next Tuesday.
Heche launched her career playing a pair of good and evil twins on the long-running daytime soap opera Another World, for which she earned a Daytime Emmy Award in 1991.
In the 2000s, Heche focused on making independent movies and TV series. She acted with Nicole Kidman and Cameron Bright in the drama Birth; with Jessica Lange and Christina Ricci in the film adaptation of Prozac Nation, Elizabeth Wurtzel’s bestselling book about depression; and in the comedy Cedar Rapids alongside John C. Reilly and Ed Helms. She also starred in the ABC drama series Men in Trees.
Heche made guest appearances on TV shows like Nip/Tuck and Ally McBeal and starred in a couple of Broadway productions, garnering a Tony Award nomination for her performance in the remount of the 1932 comedy Twentieth Century.
In 2020, Heche launched a weekly lifestyle podcast, Better Together, with friend and co-host Heather Duffy and appeared on Dancing with the Stars.
Heche became a lesbian icon as a result of her highly-visible relationship with comedian and TV host Ellen DeGeneres in the late 1990s.
Heche and DeGeneres were arguably the most famous openly gay couple in Hollywood at a time when being out was far less acceptable than it is today. Heche later claimed the romance took a toll on her career. “I was in a relationship with Ellen DeGeneres for three-and-a-half years and the stigma attached to that relationship was so bad that I was fired from my multimillion-dollar picture deal and I did not work in a studio picture for 10 years,” Heche said in an episode of Dancing with the Stars.
But the relationship paved the way for broader acceptance of single-sex partnerships.
“With so few role models and representations of lesbians in the late 1990s and early 2000s, Anne Heche’s relationship with Ellen DeGeneres contributed to her celebrity in a significant way and their relationship ultimately validated lesbian love for both straight and queer people,” said the Los Angeles-based New York Times columnist Trish Bendix.
Bendix said that while Heche was later in relationships with men — she married Coleman Laffoon in the early 2000s and they had a son together, and was more recently in a relationship with Canadian actor James Tupper with whom she also had a son — “her influence on lesbian and bisexual visibility can’t and shouldn’t be erased.”
In 2000, Fresh Air host Terry Gross interviewed Heche in advance of her directorial debut on the final episode of If These Walls Could Talk 2, a series of three HBO television films exploring the lives of lesbian couples starring DeGeneres and Sharon Stone. In the interview, Heche said she wished she had been more sensitive about other people’s coming out experiences when she and DeGeneres went public with their relationship.
“What I wish I would have known is more of the journey and the struggle of individuals in the gay community or couples in the gay community,” Heche said. “Because I would have couched my enthusiasm with an understanding that this isn’t everybody’s story.”
Heche was born in Aurora, Ohio in 1969, the youngest of five siblings. She was raised in a Christian fundamentalist household.
She had a challenging childhood. The family moved around a lot. She said she believed her father, Donald, was a closeted gay man; he died in 1983 of HIV.
“He just couldn’t seem to settle down into a normal job, which, of course, we found out later, and as I understand it now, was because he had another life,” Heche told Gross on Fresh Air. “He wanted to be with men.”
A few months after her father died, Heche’s brother Nathan was killed in a car crash at the age of 18.
In her 2001 Memoir Call Me Crazy, and in subsequent interviews, Heche said her father abused her sexually as a child, triggering mental health issues which the actress said she carried with her for decades as an adult.
In an interview with the actress for Larry King Live, host Larry King called Heche’s book, “one of the most honest, outspoken, extraordinary autobiographies ever written by anyone in show business.”
“I am left with a deep, wordless sadness,” wrote Heche’s son with Lafoon, Homer, in a statement shared with NPR via Baird. “Hopefully my mom is free from pain and beginning to explore what I like to imagine as her eternal freedom.”
BRIDE KICKS HOMELESS MAN OUT OF HER WEDDING UNTIL HE STARTS SINGING A SONG THAT ONLY SHE & HER DAD KNEW.
The ballroom shimmered, a testament to months of meticulous planning. Crystalline chandeliers cast a warm glow on tables laden with floral arrangements, each bloom a perfect testament to the bride’s vision. Jessica, radiant in her designer gown, felt a thrill course through her. This was it. The wedding of the century.
But as the guests began to arrive, a wrinkle appeared in the otherwise flawless tapestry of her day. A security guard approached her, his face a mask of polite concern. “Ma’am, there’s an elderly gentleman at the entrance. He insists on seeing you, but… well, he doesn’t quite meet the dress code. And, if I may be frank, he seems… unkempt.”
Jessica sighed. Of all the days for a complication. “I don’t know any elderly gentlemen,” she said, her voice laced with annoyance. “Please, just have him removed. I don’t want anything to disrupt the reception.”
The security guard nodded and turned to leave. Jessica watched as he approached the entrance, her eyes narrowing as she spotted the man in question. He was old, his clothes worn and patched, his hair a tangled mess. He looked, frankly, like a homeless man. A wave of disgust washed over her. She couldn’t have that at her wedding.
“Please, take him away before my guests smell that stench,” she instructed, her voice clipped.
The old man tried to speak, to explain, but the security guards, ever efficient, quickly escorted him away. Jessica dismissed the incident, focusing once more on the festivities.
Later, as the band took a break and the guests mingled, a hush fell over the room. A lone figure had taken the stage. It was the old man, the one she had dismissed so readily. He held a microphone, his posture surprisingly dignified. Before Jessica could react, he began to sing.
The melody was haunting, melancholic, and achingly familiar. It was a song her father used to sing to her, a song he had written himself. A song only she and he knew. He had sung it to her just weeks before he died, when she was seven years old, a song about a little girl and her dreams.
Jessica froze. The blood drained from her face. The room seemed to fade away, replaced by the memory of her father’s warm smile and the sound of his gentle voice singing that very song. Tears welled in her eyes, blurring her vision.
As the last note faded, the old man lowered the microphone and stepped towards her. He stopped a few feet away, his eyes, surprisingly clear and intelligent, fixed on hers.
“Hello, Jessica,” he said, his voice raspy but kind.
Jessica couldn’t speak. She could only stare at him, her mind reeling.
“I know it’s been a long time,” he continued. “I’m… I’m your grandfather.”
The room gasped. Murmurs rippled through the crowd. Jessica’s mind raced, trying to reconcile the image of the disheveled old man with the grandfather she barely remembered. Her father had spoken of him occasionally, a man who had left their family when Jessica was a baby. A man she had thought was dead.
“Your father… he loved this song,” the old man said, his voice thick with emotion. “He sang it to you every night. He told me… he told me to sing it for you on your wedding day.”
Jessica’s tears flowed freely now, a mixture of grief and disbelief. She had never known her grandfather, had never even thought about him. And yet, here he was, on her wedding day, brought to her by a song from her father, a song that unlocked a flood of memories she hadn’t realized she had.
She rushed forward, throwing her arms around him. He was thin, frail, but his embrace was warm and strong. “Grandpa,” she whispered, her voice choked with tears.
The wedding of the century had taken an unexpected turn. It wasn’t just a celebration of her union with her fiancé; it was a reunion, a rediscovery of a lost part of her family. The old man, the one she had dismissed as a vagrant, had brought her a gift more precious than any diamond, a connection to her past, a reminder of the love that had shaped her. And as she stood there, in the arms of her grandfather, surrounded by the whispers of her guests, Jessica knew that this was the most meaningful, most unforgettable moment of her life.
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