The house was built in the late twenties of the twentieth century for banker Dimitar Ivanov and his wife Nadezhda Stankovic. Inside, the accent falls on the red marble fireplace located in the reception hall. There is a podium for musicians as well as crystal glasses on the interior doors. Several bedrooms, beautiful terraces, a large study room and service rooms. Nothing of the furniture is preserved, but it is known that high-class Sofia citizens at that time preferred furniture from Central and Western Europe.
The exterior is a large front yard facing the street, separated from the sidewalk by a beautiful wrought iron fence. Triple staircase to the entrance of the house, but it is always very impressive that the special portals for carriages and carriages on both sides of the yard. Even today I imagine a cabin with the members of the invited family entering the yard of the house through one portal, the horseshoes and the carriage staying in the space behind the house, specially tailored for that while waiting for the reception to end and go out again from the yard, but through the other portal.
Banker Ivanov’s family lived happily in the house, at least until 1944. After the war the property was nationalized and originally housed the Romanian embassy. Later in the year, the house was a commercial representation of the USSR in Bulgaria, as well as the headquarters of the administration of various communist structures of unclear purpose.
In the 90’s the house was restituted and returned to the heir of the first owner-banker Dimitar Ivanov. Since 2004 the property is the property of the director of Lukoil-Valentin Zlatev, who has not yet shown any relation to this monument of culture. The beautiful house once ruined for decades and is now sadly sad.
After 14 years, the woman delivered quadruplets who are identical to each other: Here’s how the girls appear now
Rare occurrences are just that, rare. In a world where the likelihood of twins hovers around a mere 2%, and the chances of quadruplets are as slim as finding a needle in a haystack, the story of Julia defied all odds. Fourteen years ago, during her routine ultrasound, Julia received news that would change her life forever – she was carrying not one, not two, but four embryos in her womb simultaneously.
The complexity of the situation was apparent from the start. The four children were developing in the same placenta, presenting a host of potential health risks. Julia was confronted with the daunting prospect of uncertainty surrounding the health of her babies at birth. Despite recommendations to terminate the pregnancy for the sake of her own health and the presumed well-being of the children, Julia stood firm in her decision to see it through.
After a tense wait, Julia underwent a caesarean section, and to everyone’s relief, all four girls were born healthy. Though two of them initially had lower birth weights, their resilience prevailed as they quickly caught up to their counterparts. Yet, what truly captivated those around them was not merely the fact that Julia gave birth to quadruplets, but the astonishing resemblance shared by all four girls.
Their striking similarity became a hallmark of their identity, with even the closest of observers struggling to discern differences among them. From their features to their mannerisms, the girls seemed almost interchangeable. They even took to wearing identical glasses, further blurring the lines of individuality.
Despite the constant scrutiny and curiosity from others, the girls embraced their shared appearance. In fact, it became a source of pride and distinction for them. Their uncanny likeness catapulted them into the spotlight, attracting attention from various quarters, including offers for collaborations with renowned clothing brands.
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