Jennifer Lopez flaunted her unmatched style at the renowned 2024 Met Gala. As she graced the iconic Met steps as a co-chair alongside Zendaya, Chris Hemsworth, and Bad Bunny, she radiated her distinctive glamour and grace. Despite her undeniable beauty, opinions were divided regarding her choice of outfit.
Following the “Garden of Time” dress code, 54-year-old Lopez dazzled in a sheer Schiaparelli Haute Couture gown, embellished with sparkling details reminiscent of butterfly wings.
She perfectly matched her ethereal outfit with stunning jewelry from Tiffany & Co., while elegantly opting for a slightly tousled topknot hairstyle.
Her gown, a marvel of craftsmanship, required more than 800 hours of painstaking hand embroidery. Adorned with 2,500,000 silver foil bugles and beads, its splendor was not limited to the front; from every perspective, including the back, it exuded pure elegance.
Fans online lavished the star with compliments, applauding her glamorous choice and enviable body. One enthusiast exclaimed, “Incredible. She’s an inspiration.” Another admirer wrote, “Gorgeous and stunning as always!”
That said, not everyone was impressed with JLo’s look as some deemed it too revealing. One online observer noted, “Looks like Jenny did her own hair and makeup, appearing tired and too old for see-through attire.” Another remarked, “She’s getting older, so she’s trying too hard.”
Another observer also commented on the star’s neck, saying, ’’That neck don’t lie. She looks tired.’’
Without a doubt, Jennifer radiated brilliance at this year’s Met Gala. If you’re eager to discover more breathtaking looks from the spectacular event, make sure to check our ranking of the most captivating appearances of the evening.
Preview photo credit DPRF/STAR MAX/IPx/Associated Press/East News, Sipa USA / Alamy Stock Photo
The fascinating and tragic story of Mary Ann Bevan
The story of Mary Ann Bevan, who was considered ‘The ugliest woman in the world,’ starts in the 19th century, a dark period of the American culture when ‘freak shows,’ traveling circuses showing people with certain deformities and disabilities, were at the peak of their popularity.
Today, it is highly unacceptable to treat people with disabilities with disrespect, but back in the day, no one believed it was morally wrong to dub them freaks.
Mary Ann Bevan was born on December 20, 1874, in Plaistow, East London, United Kingdom. She grew up to become a nurse and was respected by the society. On top of that, she was a very attractive woman who was offered many possibilities.
In 1902, Mary met the love of her life, a man named Thomas Bevan. The two married and welcomed four children together, but their happiness didn’t last long. After 14 years, Thomas passed away, leaving Mary heartbroken.
Her life became difficult as she was left to take care and provide for her children all by herself.
Unfortunately, around the time she turned 32, Mary started experiencing strange symptoms. Her face started changing gradually and she didn’t know what was happening or what caused that change which impacted her both psychologically and financially. Mary’s bones grew big, and her face became deformed. As a result, she lost her job and was unable to provide for her children any longer.
Back in the day, no one could diagnose her, but this poor woman suffered from acromegaly, a hormonal disorder that develops when the pituitary gland produces too much growth hormone during adulthood, when a change in height doesn’t occur. Instead, the increase in bone size is limited to the bones of the hands, feet and face.
Today, a lot more is knows about this condition and there are ways to keep it under control, which wasn’t the case during the time Mary lived.
Crushed, heartbroken, and poor, this woman saw an ad one day which read, “Wanted: Ugliest woman. Nothing repulsive, maimed or disfigured. Good pay guaranteed, and long engagement for successful applicant. Send recent photograph.”
No matter how awful she felt about this ‘job,’ she saw no way out of her situation. She simply needed to do anything in order to feed her children. Above all, she was a mother.
Mary answered the ad and she was soon contacted by the circus’ agent, a man named Claude Bartram, who later shared Mary’s story.
“She was not repulsive at all. She had the kind of face one usually finds in a giant, a powerful, masculine jaw, prominent cheek-bones, nose and forehead, but she was unblemished, healthy and strong. She told me she did not like the idea of placing herself on exhibition, she was shy and did not want to be separated from her children,” Bartram said, according to Daily Star.
“I told her she would earn £10 per week for a year, travelling expenses and all the money from the sale of picture postcards of herself, so she could provide for the education of her children.”
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In no time, magazines were filled with Mary Ann’s photos and everyone recognized her as ‘the ugliest woman on Earth.’
Her popularity brought her to the Dreamland Circus in Coney Island, New York, one of the most famous circuses there were. Mary Ann became an attraction, but then a doctor named Harvey Cushing, a leading neurosurgeon, spotted her and knew there was more behind ger huge face that he wanted to explore thoroughly.
“This unfortunate woman who sits in the sideshow of Ringling Brothers ‘between Fat Lady and Armless Wonder’ and ‘affects white lace hats, woollen mittens and high laced shoes’ has a story which is far from mirth-provoking.
“She, previously a vigorous and good-looking young woman, has become the victim of a disease known as acromegaly,” he wrote in a letter to Time magazine.
Mary Ann spent her life working at the circus and she was reported to have earned a small fortune which enabled her to send her children back to England where they attended boarding schools.
She endured a lot, but she did it all for her children.
Mary Ann died at the age of 59 of natural causes. Her final wish was to be buried in her homeland, England, and her children fulfilled her wish. She is resting at the Ladywell and Brockley Cemetery in South London.
This woman’s sad, yet fascinating life story speaks of the mother’s love for her children more than anything else.
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