Why Kate Middleton Is Still Not Appearing to the Public After Her Surgery

Buckingham Palace shared news about King Charles and Kate Middleton’s medical procedures, but they did it in different ways. For King Charles, they told everyone before his operation. But for Kate, they waited until after her surgery to tell people. And now even weeks after her surgery, Kate is still not appearing to the public, and here’s why.

Why Kate’s surgery was kept a secret?

The palace source stated, “It was sensible to be more open about it, as otherwise, people might have thought the worst.”
The choice to announce King Charles’ medical procedure ahead of time was to prevent rumors and concerns. They believed being transparent would foster a supportive atmosphere.

In contrast, they held off on revealing news about Kate’s surgery to respect her privacy during the procedure.

Where is the Princess of Wales now?

Regarding Princess Kate’s abdominal surgery, a royal insider reported that she’s “doing well.” She spent 10 to 14 days in the hospital and will require three months of recuperation at home. Although the palace didn’t specify her condition, they assured her it was not cancer.

Weeks after her operation, Kate has still not made a public appearance. It is reported that the reason for this is because the Princess of Wales has moved from her home at Adelaide Cottage to Sandringham in Norfolk.

Her decision to stay at the Royal Family’s country estate, Sandringham, during the kids’ half-term break, is seen as a positive sign of Princess Kate’s ongoing recovery from her abdominal surgery.

Moreover, the fact that Wales has opted to spend quality time together has been praised as a clear indication of Kate’s “steady recovery”.

The source explained that Norfolk provides the family with the expansive, open spaces they seek, away from the intrusive Heathrow flight path experienced in Windsor. Additionally, there are friends in Norfolk, such as the Marquess and Marchioness of Cholmondeley, with whom they can enjoy some leisure time.

Céline Dion, another cherished public figure, has recently been facing health challenges. Several months back, updates about her health were shared by the star’s sister, sparking deep concern among fans.

Preview photo credit DANIEL LEAL/AFP/East News, DANIEL LEAL/AFP/East News

Australia’s adopted popstar son Leo Sayer reflects on his career

“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.

Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.

He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.

“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”

Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”

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