This hilarious clip from a long-lost episode of The Carol Burnett Show starring Tim Conway and Harvey Korman hasn’t been seen in aImost 40 years.
It’s brief, but it’s long enough to make anyone giggle.
The Carol Burnett Show was one of America’s most successful series during its first run, which lasted from 1967 through 1978. It has been on numerous «Best/Greatest TV Shows of All Time» lists and was consistentIy among the top 30 most-watched shows each season.
Tim Conway and Harvey Korman, two of the most well-known comedians of all time, were regulars on the show. Despite the fact that they were not a comic partnership Iike Abbott and Costello, they were frequently used in skits due to their popularity with viewers.
Tim dresses up as a lady in this episode, which is only available on DVD, and he and Harvey go undercover as a couple. Tim warns Harvey not to hold her too closely, but Harvey insists that they must appear to be a reaI pair in order to complete the task.
Tim concurs, adding it’s great as long as they remain professional. Now it becomes very funny: Harvey can’t fathom why Tim would assume this was for anything other than work.
Tim then flicks his hair like the comedic genius that he is, causing both performers to break character and giggle, though they try to keep it in as much as they can. The audience isn’t much assistance either; everyone in the studio was Iaughing at this point.
Harvey combs his bangs before pulling out his compact powder and rubbing it on his mustache and chin, making everyone, including Harvey, laugh even harder.
Joy Behar Calls Dolly Parton’s Jolene Anti-Feminist And Fans Come Unglued
There doesn’t seem to be a shortage of viewpoints these days, and people are willing to argue almost anything. The View, where the hosts explore some of the most fascinating subjects, is one venue where these discussions frequently take place.
Joy Behar, one of The View’s members, recently sparked a heated discussion by questioning the renowned country song “Jolene” by Dolly Parton, implying that it might have anti-feminist connotations.
Behar even went so far as to declare that Beyoncé’s more current rendition of “Jolene” was better. People’s attention is being drawn to the intense conversation that has been ignited by this comment.
Joy Behar is not afraid to voice her opinions, and she made sure the show’s producer knew that she preferred Beyoncé’s performance of “Jolene.” Behar claims that Dolly Parton’s rendition of the song displays possessiveness and insecurity, especially when Parton is pleading with the mistress not to take her lover.
This notion, according to Behar, is antifeminist because it suggests that women should be worried that their men might cheat on them because they are attracted to other women. She feels that it undercuts women’s empowerment.
However, Beyoncé’s rendition of “Jolene,” known as “Cowboy Carter,” presents an alternative viewpoint. In the song, Beyoncé issues a warning to the other person, telling them to avoid her connection, instead of pleading with them.
Naturally, a lot of people—including country music icon Reba McEntire—had comments about the matter. McEntire just chuckled when asked about Joy Behar’s remark and complimented Beyoncé on her contributions to the country music genre.
Behar praises Beyoncé’s performance of “Jolene” for its strong message, but she still maintains that Dolly Parton’s song is anti-feminist. Behar claims that Beyoncé’s rendition shows a self-assured lady who is prepared to face the difficulties in her relationship head-on.
Fascinatingly, Dolly Parton appears to value Beyoncé’s rendition of the song, which adds another dimension to this continuing discussion.
As long as people are willing to talk about it, this argument will undoubtedly continue. Undoubtedly, Joy Behar evoked powerful feelings, and not everyone finds it amusing.
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