Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
My son and his wife shamed me for wearing red lipstick. I decided to teach them a lesson
The Spark: An Erroneous Family Dinner
Even at seventy-five, Edith remained a vivacious woman, a shining example of self-assurance and style. Her distinctive red lip color was a symbol of her vibrant nature. But she had no idea that her makeup choice would start a tempest that evening as she got ready for a family meal.
She felt pride and nostalgia as she gently painted her favorite hue of red. She had worn this lipstick on numerous important occasions, such as romantic dates with her late spouse and job interviews. It was a representation of her unwavering spirit rather than merely makeup.
Steph, her son, showed up early and caught Edith in the act. “Mum, you look like a desperate old clown trying to cling to your youth,” he said with a sneer. It is awkward.
The words felt like a slap to her. Her hand trembled with the lipstick as she hesitated. Before she could reply, Steph’s wife said, “Oh, I agree with Steph,” with a smug smirk. Older individuals shouldn’t use red lipstick. You ought to follow in other people’s footsteps, in my opinion.
Edith felt her heart race in her chest. She was dumbfounded for a time by their blatant words. But then she felt a wave of defiance wash over her. “Honey, please mind your own business,” she sternly said in a calm manner.
Steph’s wife appeared surprised, her self-assurance briefly shaken. Evidently caught off it by Edith’s counterattack, she said, “Sorry, Edith, we just don’t want you to look like a clown.”
Steph grinned and said, “Okay, mom, enjoy the circus,” trying to take back control of the situation. His spouse laughed once more before turning to leave Edith reeling from the emotional upheaval.
From Pain to Fury: The Tipping Moment
Edith stood for a short while with her reflection in the mirror serving as a painful reminder of their hurtful remarks. Deep sadness, the type that results from being betrayed by the people you love the most, filled her. However, as she sat in the corner, her melancholy started to change into fury.
They are really cruel to her. How can they want to take away her uniqueness and dignity? Her own family was attempting to undermine her after she had dedicated her entire life to fostering her confidence and defying social norms.
Edith realized she had to do something. It was about respect and standing up for herself, not simply about red lipstick. She made the decision to teach them an invaluable lesson.
The Schedule: One Week of Get-Ready
Edith spent the next week carefully plotting her retaliation. She contacted a few reliable acquaintances and even enlisted the help of Mrs. Jenkins, her neighbor, who was an identical age and kind of woman. They came up with a plan that was impactful and subtle together.
Initially, Edith made the decision to have a lavish dinner party at her home, inviting not only her son and his spouse, but also other relatives and friends. The guests were carefully chosen to include both those who could influence Steph and his wife and others who respected her.
She made sure everything was flawless by spending days in preparation. She prepared her finest china, cooked her son’s favorite meals, and adorned the home with lovely flowers. But her beauty was the main component of her plan. Edith looked ravishing in a red dress and, of course, had on her trademark red lipstick on the night of the dinner.
The Battle: A Respectful Lesson
Edith welcomed the visitors with warmth and grace, her scarlet lips a striking declaration of her defiance. Among the last to arrive were Steph and his wife, whose first impressions of her were swiftly soured.
The evening went well at first, with lots of laughs and animated discussions. But Edith was about to give us a surprise. When the dessert was brought out, she got up to toast.
With a clear and firm voice, she said, “Thank you all for coming.” “I’ve always thought that you should embrace who you are and live life to the fullest, regardless of what other people may think.”
She looked at Steph and his spouse, who were adjusting their chairs uneasily. I was told last week that it’s inappropriate for me to wear my favorite red lipstick at my age. However, I think style and confidence are ageless.
With every eye on Edith, the room went silent. Therefore, I want to applaud everyone here today who defies social norms regarding appearance and behavior. To those who live boldly and gracefully, accepting who they really are.
Many of her friends and relatives raised their glasses in accord as they erupted in applause. Steph and his spouse appeared embarrassed, having gone from their former arrogance.
Edith grinned, her ruby red lipstick catching the light from the chandelier. She’d made her argument rather evident. She was an adult; nobody could tell her how to spend her life; age was just a number.
Repercussions: A Modified Dynamic
The relationship between Edith, her son, and his wife evolved in the weeks that followed. No more mocking laughter or rude remarks. Steph even acknowledged that he had been inappropriate and apologized. It appeared that his spouse had also taken a lesson from Edith, as she now treated her with dignity.
Knowing that she had defended herself and set a good example for others, Edith happily wore her red lipstick for the rest of the day. She had restored her dignity and respect by demonstrating that age was not a hindrance to confidence and self-expression.
Her courageous stance not only silenced her detractors but also encouraged others to accept who they really are, demonstrating that sometimes the most important lessons can be learned from the most unexpected sources.
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